Binaural audio recording has always fascinated me since I first heard it and learned about it college oh so many years ago. In 1992, a binaural microphone setup cost $10,000 or move. Bad news, in 2016, a Neumann KU 100 Dummy Head Microphone costs $8,000, but there are several cheaper alternatives.
Maxon introduced a number of new features in Cinema 4D R17 when it was released last year. While the Motion Tracker is a fantastic tool to track footage and composite 3D elements, often wide angle footage introduces perspective errors in the final rendered image. Unless the user knows what camera was used to capture the source footage, the focal length of the lens, and the field of view, correcting that footage, or adding the lens distortion to the 3D elements is a tricky and sometimes frustrating experience. The Cinema 4D R17 release introduced the Lens Distortion Tool, which can be used to correct footage before using the built-in Motion Tracker, or it can be used as a render effect to apply lens distortion to the 3D elements in the scene.
In this video, I walk you through the basic use of the Lens Distortion Tool using footage shot with a GoPro Hero 4.
Stephen Schleicher runs through the new Motion Tracker in Cinema 4D R16, and shows how you can track 3D objects into your shot without the need of an additional application.
I’m working on something for podcasters, and those that want to podcast. I think it will be a good resource for everyone, and will pull back the curtain a bit on what we do on the Major Spoilers Podcast Network. But I need your help.
I do a show called The Want List that requires a bunch of keying in Adobe After Effects. In this video I walk you through my process of going from Adobe Premiere Pro CS6 to Adobe After Effects CS6 and back again, and along the way demonstrate how I use Keylight to key out the green screen background.
Adobe After Effects CS6 has a number of new features. Included in this walk-through/demo, are the new caching features, the 3D Camera Tracker, and Advanced 3D Render engine that allows the user to extrude text.
I was up late last night recording this, and there are a few times I totally say one word, when I mean another… duhr.
Make sure you watch this full size at 1080p!
This tutorial walks the student through the creation of The Want List intro for the popular web series.
This is a live in-class tutorial/demonstration of how to use Mocha for AE to track the front of a trophy, and then replace it with a new faceplate for an interstitial for an awards program.
I was really surprised at the feedback following my first podcasting article, and the number or requests for additional information. You asked for it, and now you’re getting it.
Podcasting is now old school. It’s been around long enough that the bleeding edge, and early adopters have established methods and procedures that now make it easy for others to jump on the bandwagon. You can be a podcaster too, and in this installment I’ll cover some of the gear you’ll need to think about getting as you jump through the hoops on your way to building your own podcasting empire.
About once a week, I receive a request in the Major Spoilers Mailbox asking to spill the secrets of the Major Spoilers Podcast and Critical Hit: A Major Spoilers Dungeons and Dragons Podcast. The great thing about podcasts is the cost of entry is really low, but you might want to run through this Top Ten list before deciding to jump on the podcasting wagon.
(originally published May 23, 2005)
Real-time Multiclip Editing in Final Cut Pro 5
One of the best new features in Final Cut Pro 5 is multicam editing. This handy feature allows those do multiple camera productions to gang the clips together to make editing a breeze. In this Final Cut Pro Quick Tip, we?ll quickly look at how it works.